The musings of Carl Kruse

Writing Innovative Poetry


Writing innovative poetry, the sort of poetry that reputable literary journals publish, entails knowing exactly what each word of a poem does to the reader. A good poem ought to be evocative, skillful, and cohesive, but before attempting to hone these attributes, a possible poet ought to be knowledgeable of the various forms and attributes of contemporary poetry. A good way to learn more about the aspects of contemporary poetry is to take classes, join writing workshops, and subscribe to contemporary literary journals. Reading and understanding good poetry is very important to being able to write good poetry.
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The first stage of writing a good poem comprises a procedure for brainstorming. There are various ways to approach this process, but after a good deal of experimentation, the poet will get the one which works best for his or her personal style. Some poets will begin this process by actually writing a poem. Other historians will write prose or notes before he or she spots something that could be developed to a poem. The main concept to consider with regard to the first phase is to write fearlessly. Write without trying to sound poetic, avoid abstractions, and be as comprehensive as possible. Write what’s on your mind without worrying too much about literary, literary devices, and line breaks. Frequently, when someone participates is this sort of free writing, they will naturally write in some sort of pattern or rhythm. It’s in another phase of composing that these natural literary finesses are smoothed out as well as heightened.

The next phase of composing involves looking for a shape within the words that have been freely written. Read the words out loud, paying careful attention to words and phrases which leave an indelible impression. After that, prune some of the language by omitting unnecessary lines and hackneyed expressions, for example “I walk this lonely path,” or, “My heart cries out.” A good poem is going to get fresh images and is going to offer unique perspectives. If you find hackneyed or overly subjective expressions in your writing which are pertinent to the overall theme of your piece, try rewriting them using speech that has never been used before to describe these feelings or situations. Also, pay attention to whether your poem is telling its message into the reader or if it’s showing the message through unique images. A good illustration of telling would be, “I am sad and lonely.” An example of showing would be, “I fall into his empty chair, listlessly holding his photograph… “

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After you’ve found the form of your poem and reworked the speech to include fresh images, you will have to read it out loud. Listen to this line breaks. Listen to the true language. Ask yourself whether the line breaks are not appropriate. Are there any abrupt words dangling at the ends of any traces? Do you have conjunctions or prepositions monitoring at the ends of your lines? If that’s the case, you might have to rework the traces, and at times, you might need to reword whole lines. This stage also has getting constructive criticism from writers or poetry fans who will be objective using their feedback. It is possible to look for or start a poetry review group in your community area, or you may join one of the numerous review forums and workshops online. This component of the procedure may be the most challenging for new poets that aren’t accustomed to getting somebody digging around inside their creative endeavors with a scalpel. Understand that even amazingly well crafted poems will get their fair share of comments from the critics. Additionally, adhere to your own intentions. If a critic misreads your bit, it could very well mean that you want to rework your piece within your own aim.

Finally, after having written your poetry with all the wisdom and understanding you have gained through reading and classes, and after having reworked and submitted your piece for review, you are prepared for your final draft. Your final draft isn’t a final product. Your final draft is what all of your hard work to date has generated, however you’ll have to read it again, possibly a day, a month, occasionally even years after you have written it.

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